Remembering Dorothy Dunnett
Dunnett has been a huge influence on me as a writer, and this seems a good time to repeat a post about her work and her influence on my writing that I first put up in 2007.
I first discovered Dorothy Dunnett’s books the summer between high school and college. I picked up “The Game of Kings”, the first book in the Lymond Chronicles, and spent a couple of days curled up on the sofa, glued to the page. I promptly devoured the rest of the six volume series. I told my mother she had to read them. It took her a bit of time to get into “The Game of Kings”, but soon she was as hooked as I was.
For those who haven’t yet discovered the Lymond Chronicles, the series begins in 16th century Scotland (when Mary, Queen of Scots, is a young child) and ranges all over the Continent. At the heart of the series is Francis Crawford of Lymond, mercenary, scholar, musician. Brilliant, tortured, an enigma to the reader and to most of the other characters. A lot of the fun of the series is trying to find the key to the fascinating code of who Lymond is, both literally (his parentage is in question) and in psychological terms. There’s a wonderful supporting cast of characters, both real historical figures and fictional characters blended seamlessly together. There’s adventure, angst, political intrigue, witty dialogue, and poetic allusions. The writing is wonderfully rich (Dunnett was also a painter), the pacing breakneck.
After the Lymond Chronicles, my mom and I both read Dunnett’s stand alone novel “King Hereafter” and her contemporary mysteries. And then to our excitement, she began a new series, the House of Niccolò, set in the 15th century, beginning in Bruges but again ranging all over, this time as far as Timbucktu and Iceland. The hero of the new series was a young dyeworks apprentice named Nicholas, dismissed as a buffoon by many but with abilities which lead him to rise in the commercial world and pull him into political intrigue in more than one country. Again, fictional events are blended with real historical events and mysteries abound. Reading the Lymond Chronicles, I thought, “it would have been really hard to read these as they were written and have to wait for each book.” With the House of Niccolò we had to do just that, with two years or so between each book. With their complex characters, intricate plots, and cliffhanger endings, the Dunnett books cry out for discussion. My mom and I talked about them endlessly, but we didn’t know anyone else who read them. I was thrilled to meet fellow writer Penelope Williamson and discover she was also a Dunnett reader. Penny and I spent many long lunches analyzing Dunnett’s books and speculating about what would happen next in the Niccolò series.
Then, in the mid-nineties, Penny and I both got online. We discovered there were whole online groups devoted to discussing Dunnett’s novels. Suddenly we could analyze and speculate with people all over the world. Dunnett readers tend to be a wonderul group–warm, friendly, well-read. I’ve had a great time geting together with fellow Dunnett readers both in the Bay Area and while traveling. In 2000, Penny and I and a number of our other Dunnett-reading friends went to Scotland for a conference in honor of the publication of the last book in the House of Niccolò series. Even now the series is finished (and Dunnett sadly passed away a few years ago) we love to get together online and in person to discuss Dunnett books and other books (not to mention tv shows from “Deadwood” to “Spooks/MI-5″ to “Buffy the Vampire Slayer” (which seems to be a particular favorite with Dunnett readers) :-).
Dunnett talked about reading and being influenced by other writers I love–Sabatini, Orczy, Heyer (certainly you can see bits of Andre-Louis Moreau and Percy Blakeney in Lymond, no to mention a touch of Peter Wimsey). She’s been a huge influence on me. I can see a number of echoes of her books looking at “Secrets of a Lady”–the conflict between brothers, questions about parentage, the loss of a child. I still pull out her books and reread certain scenes when I have to tackle an action sequence or a sword fight (“The Game of Kings” has the best sword fight I’ve ever read).
Have you read Dunnett? Do you enjoy discussing her books? Are there other authors you discuss with friends, online or in person?