Disastrous Marriages and Other Sources of Inspiration

When I see a book about the ruin of a Georgian marriage, I
can’t resist adding it to my shelves, not because I enjoy reading about unhappy
people, but because those real life disasters inspire me to create alternate fictional
endings. I’m a sucker for second chances (as you may well have guessed if you’ve
read my books, since at least one of the two main characters in every book is
getting one).
My current release, RIPE FOR SEDUCTION, was inspired by a
snippet of a story in A. Calder-Marshall’s The
Grand Century of the Lady. Poor Lady Mary Coke married a rake and almost immediately
repented it. Their marriage was violent. When she ran away, he dragged her back
and imprisoned her. Eventually, her family managed to secure a legal separation
for her, and then her husband did her the curtsey of dying young. But of course
such an infamous young woman would inspire men very like her unlamented husband
to see if they could seduce her. One such young rake, was fool enough to put
his offer into writing, and Lady Mary, in high dudgeon, took her revenge by
announcing to his parents that he had made her an offer of marriage and daring
him to call her a liar.
Lady Mary let the rake off the hook, and went on to have a
sad, somewhat horrid sounding life. But
the idea of using that story as a jumping off place was irresistible. Other
books I find indispensible in understanding life, marriage and divorce in my
chosen era include Lawrence Stone’s Road
to Divorce, Broken Lives, and The Family, Sex, Marriage (he’s quite prolific
on the subject). Stone’s books detail rotten husbands, licentious wives, and
the means by which they sought to escape and punish one another.
For example, did you know that it wasn’t enough for a man to
simply accuse his wife of adultery; it wasn’t enough for him and everyone else
to know she’d been unfaithful; he had to bring suit for criminal conversation.
To do that, he had to be able to have her lover arrested. I’m sure you can see
the loophole this provided to the wife…in at least one case, the woman’s family
simply paid her lover a great deal of money to flee the country, thus
preventing her husband from being able to divorce her.
And then there’s the case of the lady who had an affair with
her groom. Who was her husband’s star witness? The woman’s maid. Lady’s maids were often called upon to
testify about the most intimate details of the woman’s life. And who were they
loyal to? The husband (who paid their wages and who could pay them for their
testimony and give them a letter of reference).
I also spend a good deal of time curled up with books like Sex in Georgian England by A.D. Harvey, Sex in History by Reay Tannahill, and The Origins of Sex by Framerz Dabhoiwala.
Understanding how your characters would have thought about themselves as sexual
beings, as well as how they would have viewed the act in general, as well as
concepts of chastity, virtue, vice, and just how marriage fit into it all, also
provides great fodder for storytelling and characterization.
Next up for me is London’s
Sinful Secret: The Bawdy History and Very Public Passions of London’s Georgian
Age by Dan Cruickshank. I’m hoping that somewhere within its 500+ pages I’ll
find the kernel of Anthony Thane’s story. Wish me luck!





2 Comments:
Great stories, Isobel. And great sources. I also relied heavily on Stone for THE SLIGHTEST PROVOCATION.
And what a fabulous, yummy cover!
So true about unhappy marriages providing plot inspiration (paraphrasing Tolstoy, there is infinite variety in unhappy marriages, though personally I'd argue that there is in happy marriages as well). Writing one of the last scenes in my forthcoming The Paris Affair between four women, two real, two fictional, I was struck by how much happier the trajectories of my fictional characters were than those of the two real life historical characters (though their lives were certainly not tragic). Though I enjoy writing about real historical figures, one thing I like about fictional main characters is the ability to create alternate fictional endings as you say.
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